ABSTRACT
The present research paper aims to explore the ways in which literature and its celluloid stepchild, the cinema, have been employed in combination with supposedly nonfictional venues to falsify the realities of Euro- American interaction with the continent’s indigenous people, both historically and in the contemporary setting. Its purpose is to shred away to some extent an elaborate shroud of misimpression and misinformation behind which the dreadful visage of Euro-American subjugation, occupation and massacre have been so prudently veiled. These all complications are accredited to ethnic and social deterioration which is outcome of intensified control of genocide, colonialism, enforced cultural and institutional accommodation, monetary reliance and racism.
